David notes in his review of Kiss of the Fur Queen that his intention is to read more indigenous authors, in light of the ongoing issues of reconciliation and appropriation.
I (Amy) have added a new tag, “indigenous author” so that David’s book reviews can be more easily found on this blog. I have chosen to tag Joseph Boyden and Thomas King as indigenous authors, as they both identify as indigenous. I know there individual arguments for each that their identification is appropriation. An important discussion. In light of the importance of indigenous stories, I’m choosing in this context to go with authorial self-identification.
Chabon has written many imaginative novels: The Yiddish Policeman’s Union, Telegraph Avenue, etc. Moonglow is a fictionalized memoir, ostensibly based on his grandfather’s life. The writing is superb: his grandfather’s experiences in WWII and a lifelong interest in rocketry; a poignant story of his grandmother’s mental illness. A powerful aspect of the story telling is the consequences of keeping secrets and telling lies. This is an excellent read; thanks Renee, for this recommendation.
Barton’s very successful debut novel, The Widow, was going to be a tough act to follow, and admittedly The Child is not as good. However, there are some very strong aspects to this second novel. Once again, this is a well-written psychological thriller/mystery. What is the relationship between skeletal remains of a child found in a construction site with a child abduction case from the 1970s? Also this is a story almost entirely about women including Kate, the intrepid reporter from The Widow. Male characters other than the plodding police are either inconsequential or sleaze balls. And finally, one of the female characters has incredibly poor parenting skills, setting up the engrossing question – what will she say/do next? Overall, this is a book that becomes hard to put down.
Sometimes a story can capture time and place perfectly, and this book is a prime example of that success. The time is 1981; the place is a Great Lakes steamship. And Kate is a rebellious 19 year-old: too much drinking, too much casual sex in a very sexist environment. Her reckless lifestyle has an incredible intensity that is intoxicating. A very good read.
Generally I read mostly contemporary fiction but the historical fiction presented in this book is fascinating and entertaining because of a vivid description of context: the American Civil War with violence and sickness and cruelty, and London in 1885 with orange-yellow fog and a trip into the sewers! The book describes an intricate cat-and-mouse conflict between two men over several decades: a master and mysterious thief and an obsessed detective (a Pinkerton). The back story unfolds in many flashbacks, the classic slow reveal of motives and actions. Very enjoyable.
Given the struggles with reconciliation and ongoing issues of cultural appropriation, I have decided to read more Indigenous authors. This novel begins in Northern Manitoba in 1951 with fishing and hunting as dominant activities in a simple but harsh life. Two brothers experience abuse at a Residential School and then settle in Winnipeg where alienation and estrangement complicates their struggle to survive. Dance and music provide a welcome respite. Although emotionally complex, the novel has a triumphant tone. And throughout, the brothers are watched over by the trickster fur queen. An excellent look at remarkable changes in Indigenous life over a 40 year period.
A gritty angst-filled guy book set in West Newfoundland. The context – geography and people- is described perfectly. A father and son are paralyzed by grief, so they retreat and psychologically “run away” into a life of drink and anger. The book then becomes a murder mystery with deception and lies and misunderstandings. Annoying behaviour to be sure but the descriptions of the people in a fishing outport trying, usually badly, to have each other’s back is compelling. This is one of Morrissey’s best books.