Given the struggles with reconciliation and ongoing issues of cultural appropriation, I have decided to read more Indigenous authors. This novel begins in Northern Manitoba in 1951 with fishing and hunting as dominant activities in a simple but harsh life. Two brothers experience abuse at a Residential School and then settle in Winnipeg where alienation and estrangement complicates their struggle to survive. Dance and music provide a welcome respite. Although emotionally complex, the novel has a triumphant tone. And throughout, the brothers are watched over by the trickster fur queen. An excellent look at remarkable changes in Indigenous life over a 40 year period.
It is inexplicable to me that The Break was the first book eliminated from the Canada Reads 2017 competition. Admittedly this is a tough book to read, and the first in my experience that has on the cover page: “TRIGGER WARNING: This book is about recovering and healing from violence. Contains scenes of sexual and physical violence, and depictions of vicarious trauma”. This is a timely book about Indigenous women survivors, specifically 4 generations of women survivors who are flawed and damaged. This is a sisterhood book about resiliency – powerful storytelling but take the trigger warning seriously.
Powerful storytelling about guilt and, eventually, atonement. The back-story is the aftermath of an environmental disaster. Some First Nations mythology is an attractive feature of this fine novel.
At times a slow-moving story of a Jesuit priest inserted into the ongoing conflict between the Huron and Iroquois (Haudenosaunee). The story is bloody to be sure but there is an interesting veneration of violence in how vanquished foes are tortured, using the word “caress”.
Note from Amy: later won 2014 Canada Reads